Color Theory for Designers, Part 1: The Meaning of Color


  

Color in design is very subjective. What evokes one reaction in one person may evoke a very different reaction in somone else. Sometimes this is due to personal preference, and other times due to cultural background. Color theory is a science in itself. Studying how colors affect different people, either individually or as a group, is something some people build their careers on. And there’s a lot to it. Something as simple as changing the exact hue or saturation of a color can evoke a completely different feeling. Cultural differences mean that something that’s happy and uplifting in one country can be depressing in another.

color star

This is the first in a three-part series on color theory. Here we’ll discuss the meanings behind the different color families, and give some examples of how these colors are used (with a bit of analysis for each). In Part 2 we’ll talk about how hue, chroma, value, saturation, tones, tints and shades affect the way we perceive colors. And in Part 3 we’ll discuss how to create effective color palettes for your own designs.

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Color in design is very subjective. What evokes one reaction in one person may evoke a very different reaction in somone else. Sometimes this is due to personal preference, and other times due to cultural background. Color theory is a science in itself. Studying how colors affect different people, either individually or as a group, is something some people build their careers on. And there’s a lot to it. Something as simple as changing the exact hue or saturation of a color can evoke a completely different feeling. Cultural differences mean that something that’s happy and uplifting in one country can be depressing in another.

href="http://en.wikipedia.org/wiki/File:Color_star-en.svg"> class="alignnone size-full wp-image-23263" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/colorstar.jpg" alt="Colorstar in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="454" />

This is the first in a three-part series on color theory. Here we’ll discuss the meanings behind the different color families, and give some examples of how these colors are used (with a bit of analysis for each). In Part 2 we’ll talk about how hue, chroma, value, saturation, tones, tints and shades affect the way we perceive colors. And in Part 3 we’ll discuss how to create effective color palettes for your own designs.

Warm Colors

class="alignnone size-full wp-image-23264" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/warmcolors.jpg" alt="Warmcolors in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Warm colors include red, orange, and yellow, and variations of those three colors. These are the colors of fire, of fall leaves, and of sunsets and sunrises, and are generally energizing, passionate, and positive.

Red and yellow are both primary colors, with orange falling in the middle, which means warm colors are all truly warm and aren’t created by combining a warm color with a cool color. Use warm colors in your designs to reflect passion, happiness, enthusiasm, and energy.

Red (Primary Color)

class="alignnone size-full wp-image-23265" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/red.jpg" alt="Red in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Red is a very hot color. It’s associated with fire, violence, and warfare. It’s also associated with love and passion. In history, it’s been associated with both the Devil and Cupid. Red can actually have a physical effect on people, raising blood pressure and respiration rates. It’s been shown to enhance human metabolism, too.

Red can be associated with anger, but is also associated with importance (think of the red carpet at awards shows and celebrity events). Red also indicates danger (the reason stop lights and signs are red, and that most warning labels are red).

Outside the western world, red has different associations. For example, in China, red is the color of prosperity and happiness. It can also be used to attract good luck. In other eastern cultures, red is worn by brides on their wedding days. In South Africa, however, red is the color of mourning. Red is also associated with communism. Red has become the color associated with AIDS awareness in Africa due to the popularity of the [RED] campaign.

In design, red can be a powerful accent color. It can have an overwhelming effect if it’s used too much in designs, especially in its purest form. It’s a great color to use when power or passion want to be portrayed in the design. Red can be very versatile, though, with brighter versions being more energetic and darker shades being more powerful and elegant.

Examples

href="http://darkcrimson.com/"> class="alignnone size-full wp-image-23266" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/darkcrimson.jpg" alt="Darkcrimson in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The dark shades of red in this design give a powerful and elegant feel to the site.

href="http://www.abstraktion.co.uk/"> class="alignnone size-full wp-image-23267" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/abstraktion.jpg" alt="Abstraktion in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The true red accents stand out against the dark red background, and give a powerful and high-end feeling to the site.

href="http://bureau347.com/"> class="alignnone size-full wp-image-23268" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/bureau347.jpg" alt="Bureau347 in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The very bright red accents on this site give a sense of energy and movement.

href="http://www.crowebdesignets.com/"> class="alignnone size-full wp-image-23269" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/crowebdesignets.jpg" alt="Crowebdesignets in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The dark red on this site, because it’s combined with grunge elements, seems more like the color of blood.

href="http://1mcreative.com/"> class="alignnone size-full wp-image-23270" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/1mcreative.jpg" alt="1mcreative in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Dark red, when combined with white and gray, gives a very elegant and professional impression.

Orange (Secondary Color)

class="alignnone size-full wp-image-23271" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/orange.jpg" alt="Orange in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Orange is a very vibrant and energetic color. In its muted forms, it can be associated with the earth and with autumn. Because of its association with the changing seasons, orange can represent change and movement in general.

Because orange is associated with the fruit of the same name, it can be associated with health and vitality. In designs, orange commands attention without being as overpowering as red. It’s often considered more friendly and inviting, and less in-your-face.

Examples

href="http://www.curiousromain.com/"> class="alignnone size-full wp-image-23272" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/curiousromain.jpg" alt="Curiousromain in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The bright orange box draws attention to its contents, even with the other bright red elements on the page.

href="http://alamofire.com/"> class="alignnone size-full wp-image-23273" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/alamofire.jpg" alt="Alamofire in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Orange is used here in its most obvious incarnation, to represent fire.

href="http://www.webdots.in/"> class="alignnone size-full wp-image-23274" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/webdots.jpg" alt="Webdots in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The dark orange, when set against the lime green, almost acts as a neutral and grounding color here.

href="http://www.neighborino.com/"> class="alignnone size-full wp-image-23275" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/neighborino.jpg" alt="Neighborino in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Orange is used here to give a friendly and inviting impression.

href="http://theplant.jp/en/"> class="alignnone size-full wp-image-23276" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/theplant.jpg" alt="Theplant in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The orange accents here add a lot of visual interest and bring attention to the call to action.

Yellow (Primary Color)

class="alignnone size-full wp-image-23277" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/yellow.jpg" alt="Yellow in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Yellow is often considered the brightest and most energizing of the warm colors. It’s associated with happiness and sunshine. Yellow can also be associated with deceit and cowardice, though (calling someone yellow is calling them a coward).

Yellow is also associated with hope, as can be seen in some countries when yellow ribbons are displayed by families who have loved ones at war. Yellow is also associated with danger, though not as strongly as red.

In some countries, yellow has very different connotations. In Egypt, for example, yellow is for mourning. In Japan, it represents courage, and in India it’s a color for merchants.

In your designs, bright yellow can lend a sense of happiness and cheerfulness. Softer yellows are commonly used as a gender-neutral color for babies (rather than blue or pink) and young children. Light yellows also give a more calm feeling of happiness than bright yellows. Dark yellows and gold-hued yellows can sometimes look antique and be used in designs where a sense of permanence is desired.

Examples

href="http://foodtease.com/"> class="alignnone size-full wp-image-23278" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/foodtease.jpg" alt="Foodtease in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The bright yellow header and graphics used throughout this site give a sense of energy and positivity.

href="http://artvisiona.ro/"> class="alignnone size-full wp-image-23279" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/artvisiona.jpg" alt="Artvisiona in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The light yellow is used almost as a neutral in the header here, and combined with the hand-drawn illustrations gives a very cheerful impresison.

href="http://www.cabomba.se/"> class="alignnone size-full wp-image-23280" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/cabomba.jpg" alt="Cabomba in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The bright yellow accents bring attention to the most important parts of this site.

href="http://www.pasikeitimai.lt/"> class="alignnone size-full wp-image-23281" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/pasikeitimai.jpg" alt="Pasikeitimai in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The bright yellow sunflower reminds visitors of summer on this site, and combined with the antique-yellow background, it gives a homey and established feeling.

href="http://www.tangram.li/"> class="alignnone size-full wp-image-23282" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/tangram.jpg" alt="Tangram in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The bright yellow header here adds a bit of extra energy to this design.

Cool Colors

class="alignnone size-full wp-image-23283" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/coolcolors.jpg" alt="Coolcolors in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Cool colors include green, blue, and purple, are often more subdued than warm colors. They are the colors of night, of water, of nature, and are usually calming, relaxing, and somewhat reserved.

Blue is the only primary color within the cool spectrum, which means the other colors are created by combining blue with a warm color (yellow for green and red for purple). Greens take on some of the attributes of yellow, and purple takes on some of the attributes of red. Use cool colors in your designs to give a sense of calm or professionalism.

Green (Secondary Color)

class="alignnone size-full wp-image-23284" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/green.jpg" alt="Green in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Green is a very down-to-earth color. It can represent new beginnings and growth. It also signifies renewal and abundance. Alternatively, green can also represent envy or jealousy, and a lack of experience.

Green has many of the same calming attributes that blue has, but it also incorporates some of the energy of yellow. In design, green can have a balancing and harmonizing effect, and is very stable. It’s appropriate for designs related to wealth, stability, renewal, and nature. Brighter greens are more energizing and vibrant, while olive greens are more representative of the natural world. Dark greens are the most stable and representative of affluence.

Examples

href="http://rubberdesign.com/"> class="alignnone size-full wp-image-23285" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/rubberdesign.jpg" alt="Rubberdesign in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="320" />

The extremely muted greens of this site give it a very down-to-earth and natural feeling.

href="http://www.ligonier.org/"> class="alignnone size-full wp-image-23286" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/ligonier.jpg" alt="Ligonier in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The bright green header of this site mixed with the leaf motif gives it a very natural and vibrant feeling.

href="http://www.plantwithpurpose.org/"> class="alignnone size-full wp-image-23287" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/plantwithpurpose.jpg" alt="Plantwithpurpose in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="339" />

The more olive-toned green of this site gives it a natural feeling, which is very appropriate for the content.

href="http://www.i-avion.com/"> class="alignnone size-full wp-image-23288" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/iavion.jpg" alt="Iavion in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The brighter, more retro-looking greens of this site give it a very fresh, energized feeling.

href="http://www.baynature.com/"> class="alignnone size-full wp-image-23289" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/baynature.jpg" alt="Baynature in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Another olive green site with a very natural feeling.

Blue (Primary Color)

class="alignnone size-full wp-image-23290" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/blue.jpg" alt="Blue in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Blue is often associated with sadness in the English language. Blue is also used extensively to represent calmness and responsibility. Light blues can be refreshing and friendly. Dark blues are more strong and reliable. Blue is also associated with peace, and has spiritual and religious connotations in many cultures and traditions (for example, the Virgin Mary is generally depicted wearing blue robes).

The meaning of blue is widely affected depending on the exact shade and hue. In design, the exact shade of blue you select will have a huge impact on how your designs are perceived. Light blues are often relaxed and calming. Bright blues can be energizing and refreshing. Dark blues are excellent for corporate sites or designs where strength and reliability are important.

Examples

href="http://sman96.com/"> class="alignnone size-full wp-image-23291" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/sman96.jpg" alt="Sman96 in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The dark blues give this a feeling of reliability, while the brighter and lighter blues keep it from feeling staid.

href="http://industrialmedia.ca/"> class="alignnone size-full wp-image-23292" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/industrialmedia.jpg" alt="Industrialmedia in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The dark blue gives this a site a professional feeling, especially when combined with the white background. But the lighter blue accents add a bit more interest.

href="http://www.aandesigners.com/"> class="alignnone size-full wp-image-23293" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/aandesigners.jpg" alt="Aandesigners in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The bright, sky blue of this site gives it a young and hip feeling, which is emphasized by the reddish accents.

href="http://mightydream.com/"> class="alignnone size-full wp-image-23294" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/mightydream.jpg" alt="Mightydream in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

This site combines a range of blues, which gives it a refreshing feeling overall.

href="http://www.fernandosilanes.com/"> class="alignnone size-full wp-image-23295" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/fernandosilanes.jpg" alt="Fernandosilanes in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The light, muted blue of this site gives a very relaxed and calm impression.

Purple (Secondary Color)

class="alignnone size-full wp-image-23296" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/purple.jpg" alt="Purple in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Purple was long associated with royalty. It’s a combination of red and blue, and takes on some attributes of both. It’s associated with creativity and imagination, too.

In Thailand, purple is the color of mourning for widows. Dark purples are traditionally associated with wealth and royalty, while lighter purples (like lavendar) are considered more romantic.

In design, dark purples can give a sense wealth and luxury. Light purples are softer and are associated with spring and romance.

href="http://asprey.com/"> class="alignnone size-full wp-image-23297" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/asprey.jpg" alt="Asprey in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="320" />

The dark shade used here evokes the royal heritage of purple, which is very appropriate for the Asprey luxury goods brand.

href="http://www.avantgrape.com/"> class="alignnone size-full wp-image-23298" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/avantgrape.jpg" alt="Avantgrape in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The light and medium purples here work well to convey a sense of creativity.

href="http://www.newcastle-shopping.co.uk/"> class="alignnone size-full wp-image-23299" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/monumentmall.jpg" alt="Monumentmall in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The brighter, more reddish purple of this site gives it both a rich and energetic look.

href="http://ianjamescox.com/"> class="alignnone size-full wp-image-23300" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/ianjamescox.jpg" alt="Ianjamescox in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="320" />

The dark purple background here adds to the creative feeling of the overall site.

href="http://alicea.ca/"> class="alignnone size-full wp-image-23301" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/alice.jpg" alt="Alice in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="391" />

The dark purple accents on this site give a sense of luxury and refinement.

Neutrals

class="alignnone size-full wp-image-23302" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/neutralcolors.jpg" alt="Neutralcolors in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="167" />

Neutral colors often serve as the backdrop in design. They’re commonly combined with brighter accent colors. But they can also be used on their own in designs, and can create very sophisticated layouts. The meanings and impressions of neutral colors are much more affected by the colors that surround them than are warm and cool colors.

Black

class="alignnone size-full wp-image-23303" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/black.jpg" alt="Black in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Black is the strongest of the neutral colors. On the positive side, it’s commonly associated with power, elegance, and formality. On the negative side, it can be associated with evil, death, and mystery. Black is the traditional color of mourning in many Western countries. It’s also associated with rebellion in some cultures, and is associated with Halloween and the occult.

Black is commonly used in edgier designs, as well as in very elegant designs. It can be either conservative or modern, traditional or unconventional, depending on the colors it’s combined with. In design, black is commonly used for typography and other functional parts, because of it’s neutrality. Black can make it easier to convey a sense of sophistication and mystery in a design.

Examples

href="http://www.djalexandar.com/"> class="alignnone size-full wp-image-23304" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/djalexander.jpg" alt="Djalexander in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The black accents, mixed with the brighter colors and very dark brown background add an edgier look to the overall design.

href="http://www.reducetuhuella.org/"> class="alignnone size-full wp-image-23305" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/reducetuhuella.jpg" alt="Reducetuhuella in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Black, when mixed with icy blues, looks colder.

href="http://mediasoldier.net/"> class="alignnone size-full wp-image-23306" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/mediasoldier.jpg" alt="Mediasoldier in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The black here, mixed with dark grays and lime green, and an overall grungy theme, adds to the edginess of the design.

href="http://www.markwallis.ie/"> class="alignnone size-full wp-image-23307" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/markwallis.jpg" alt="Markwallis in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The black accents here add an extra layer of sophistication and modernity to the site.

href="http://theswishlife.com/"> class="alignnone size-full wp-image-23308" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/theswishlife.jpg" alt="Theswishlife in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The strong black accents on this site add to the overall sophistication of the design.

White

class="alignnone size-full wp-image-23309" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/white.jpg" alt="White in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

White is at the opposite end of the spectrum from black, but like black, it can work well with just about any other color. White is often associated with purity, cleanliness, and virtue. In the West, white is commonly worn by brides on their wedding day. It’s also associated with the health care industry, especially with doctors, nurses and dentists. White is associated with goodness, and angels are often depicted in white.

In design, white is generally considered a neutral backdrop that lets other colors in a design have a larger voice. It can help to convey cleanliness and simplicity, though, and is popular in minimalist designs. White in designs can also portray either winter or summer, depending on the other design motifs and colors that surround it.

Examples

href="http://www.fuelhaus.com/"> class="alignnone size-full wp-image-23310" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/fuelhaus.jpg" alt="Fuelhaus in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The white on the Fuelhaus site is used to contrast against the electric blue.

href="http://www.chamainc.com/"> class="alignnone size-full wp-image-23311" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/chamainc.jpg" alt="Chamainc in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

White backgrounds are very popular on minimalistic sites, and provide great contrast to black typography.

href="http://clearleft.com/"> class="alignnone size-full wp-image-23312" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/clearleft.jpg" alt="Clearleft in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Here, white is used as an accent color, which lightens the overall effect of the site.

href="http://timeger.com/"> class="alignnone size-full wp-image-23313" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/timeger.jpg" alt="Timeger in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

White combined with gray gives a soft and clean feeling to this design.

href="http://www.ocvision.com/"> class="alignnone size-full wp-image-23314" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/ocvision.jpg" alt="Ocvision in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Again, white used as a background lightens the whole design.

Gray

class="alignnone size-full wp-image-23315" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/gray.jpg" alt="Gray in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Gray is a neutral color, generally considered on the cool end of the color spectrum. It can sometimes be considered moody or depressing. Light grays can be used in place of white in some designs, and dark grays can be used in place of black.

Gray is generally conservative and formal, but can also be modern. It is sometimes considered a color of mourning. It’s commonly used in corporate designs, where formality and professionalism are key. It can be a very sophisticated color. Pure grays are shades of black, though other grays may have blue or brown hues mixed in. In design, gray backgrounds are very common, as is gray typography.

Examples

href="http://www.adrianpelletier.com/"> class="alignnone size-full wp-image-23316" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/adrianpelletier.jpg" alt="Adrianpelletier in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Light gray gives a very subdued and quiet feeling to this design.

href="http://symphony-cms.com/"> class="alignnone size-full wp-image-23317" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/symphony.jpg" alt="Symphony in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The light gray background here adds to the modern feeling created by the typography.

href="http://nosotroshq.com/"> class="alignnone size-full wp-image-23318" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/nosotros.jpg" alt="Nosotros in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The cooler gray on this site gives a modern, sophisticated feel to the site.

href="http://aside.in/"> class="alignnone size-full wp-image-23319" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/aside.jpg" alt="Aside in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The dark gray backround and lighter gray typography lend a decidedly modern look to this design.

href="http://manisheriar.com/"> class="alignnone size-full wp-image-23320" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/sheriardesigns.jpg" alt="Sheriardesigns in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The wide spectrum of gray shades used in this design combine to give a sophisticated and professional look to the site.

Brown

class="alignnone size-full wp-image-23321" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/brown.jpg" alt="Brown in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Brown is associated with the earth, wood, and stone. It’s a completely natural color and a warm neutral. Brown can be associated with dependability and reliability, with steadfastness, and with earthiness. It can also be considered dull.

In design, brown is commonly used as a background color. It’s also seen in wood textures and sometimes in stone textures. It helps bring a feeling of warmth and wholesomeness to designs. It’s sometimes used in it’s darkest forms as a replacement for black, either in backgrounds or typography.

Examples

href="http://ridemomentum.com/"> class="alignnone size-full wp-image-23322" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/ridemomentum.jpg" alt="Ridemomentum in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The grayish-brown here lends a sense of responsibility and dependability.

href="http://www.tabororthopedics.com/"> class="alignnone size-full wp-image-23323" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/tabororthopedics.jpg" alt="Tabororthopedics in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The orangish-brown here gives a very earthy and dependable feeling.

href="http://www.leliathomas.com/"> class="alignnone size-full wp-image-23324" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/leliathomas.jpg" alt="Leliathomas in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The dark brown used in the background here lends an earthy and steadfast look to the overall layout, and lets the brigher colors in the design really get to stand out.

href="http://austintownhall.com/"> class="alignnone size-full wp-image-23325" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/austintownhall.jpg" alt="Austintownhall in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Woodgrain is a popular use of brown, and in this case the warm brown adds some friendliness to an otherwise minimalist site.

href="http://dcraigmusic.com/"> class="alignnone size-full wp-image-23326" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/dcraigmusic.jpg" alt="Dcraigmusic in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="320" />

The grayish-brown background here lends a feeling of stability and down-to-earthness.

Beige and Tan

class="alignnone size-full wp-image-23327" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/tan.jpg" alt="Tan in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Beige is somewhat unique in the color spectrum, as it can take on cool or warm tones depending on the colors surrounding it. It has the warmth of brown and the coolness of white, and, like brown, is sometimes seen as dull. It’s a conservative color in most instances, and is usually reserved for backgrounds. It can also symbolize piety.

Beige in design is generally used in backgrounds, and is commonly seen in backgrounds with a paper texture. It will take on the characteristics of colors around it, meaning it has little effect in itself on the final impression a design gives when used with other colors.

Examples

href="http://hello.carsonified.com/"> class="alignnone size-full wp-image-23328" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/hellocarsonified.jpg" alt="Hellocarsonified in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The light tan background here feels young and fresh because of the bright colors around it.

href="http://www.calicott.com/"> class="alignnone size-full wp-image-23329" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/calicott.jpg" alt="Calicott in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The light tan background here lends a more conservative and elegant feeling to the overall design.

href="http://www.spreadfirefox.com/5years/en-US/"> class="alignnone size-full wp-image-23330" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/spreadfirefox.jpg" alt="Spreadfirefox in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The yellowish tan background is made even warmer by the orange and brown accents throughout this site’s design.

href="http://www.tarabrooch.it/"> class="alignnone size-full wp-image-23331" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/tarabrooch.jpg" alt="Tarabrooch in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

Tan is popularly used as a paper-bag texture, and in its more grayish form as a concrete or stone texture.

href="http://www.tonyleighton.com/"> class="alignnone size-full wp-image-23332" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/tonyleighton.jpg" alt="Tonyleighton in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The beige header background and other accents on the site lend a refined and traditional feeling to the overall design.

Cream and Ivory

class="alignnone size-full wp-image-23334" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/ivory.jpg" alt="Ivory in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="175" />

Ivory and cream are sophisticated colors, with some of the warmth of brown and a lot of the coolness of white. They’re generally quiet, and can often evoke a sense of history. Ivory is a calm color, with some of the pureness associated with white, though it’s a bit warmer.

In design, ivory can lend a sense of elegance and calm to a site. When combined with earthy colors like peach or brown, it can take on an earthy quality. It can also be used to lighten darker colors, without the stark contrast of using white.

Examples

href="http://www.playattitude.com/"> class="alignnone size-full wp-image-23333" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/playattitude.jpg" alt="Playattitude in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The ivory background here has a warm quality that’s tempered by some of the cooler colors on the site.

href="http://artinmycoffee.com/"> class="alignnone size-full wp-image-23335" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/artinmycoffee.jpg" alt="Artinmycoffee in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The grayish-cream background here is made warmer by the orangish-brown accents.

href="http://musiccityunsigned.com/"> class="alignnone size-full wp-image-23336" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/musiccityunsigned.jpg" alt="Musiccityunsigned in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="316" />

The cream background adds a sense of understated elegance this site would otherwise be lacking.

href="http://karijobe.com/index.php"> class="alignnone size-full wp-image-23337" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/karijobe.jpg" alt="Karijobe in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The cream background here reinforces the antique theme that runs throughout the design’s graphics.

href="http://culinaryculture.com/"> class="alignnone size-full wp-image-23338" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/12/culinaryculture.jpg" alt="Culinaryculture in Color Theory for Designers, Part 1: The Meaning of Color" width="500" height="400" />

The ivory combined with other light colors and jewely tones makes this site have a very elegant overall appearance.

In Brief…

While the information contained here might seem just a bit overwhelming, color theory is as much about the feeling a particular shade evokes than anything else. But here’s a quick reference guide for the common meanings of the colors discussed above:

  • Red: Passion, Love, Anger
  • Orange: Energy, Happiness, Vitality
  • Yellow: Happiness, Hope, Deceit
  • Green: New Beginnings, Abundance, Nature
  • Blue: Calm, Responsible, Sadness
  • Purple: Creativity, Royalty, Wealth
  • Black: Mystery, Elegance, Evil
  • Gray: Moody, Conservative, Formality
  • White: Purity, Cleanliness, Virtue
  • Brown: Nature, Wholesomeness, Dependability
  • Tan or Beige: Conservative, Piety, Dull
  • Cream or Ivory: Calm, Elegant, Purity

Further Resources

  • href="http://desktoppub.about.com/cs/color/a/symbolism.htm">Color Meanings /> A very thorough guide from About.com on color meanings.
  • href="http://www.color-wheel-pro.com/color-meaning.html">Color Wheel Pro: Color Meaning /> Another excellent guide to color meanings.
  • href="http://en.wikipedia.org/wiki/Color">Color /> Wikipedia’s entry on color.
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© Cameron Chapman for href="http://www.smashingmagazine.com">Smashing Magazine, 2010. | href="http://www.smashingmagazine.com/2010/01/28/color-theory-for-designers-part-1-the-meaning-of-color/">Permalink | href="http://www.smashingmagazine.com/2010/01/28/color-theory-for-designers-part-1-the-meaning-of-color/#comments">39 comments | title="Bookmark in del.icio.us" href="http://del.icio.us/post?url=http://www.smashingmagazine.com/2010/01/28/color-theory-for-designers-part-1-the-meaning-of-color/&title=Color%20Theory%20for%20Designers,%20Part%201:%20The%20Meaning%20of%20Color">Add to del.icio.us | title="Bookmark in Digg" href="http://digg.com/submit?phase=2&url=http://www.smashingmagazine.com/2010/01/28/color-theory-for-designers-part-1-the-meaning-of-color/">Digg this | title="Stumble on StumbleUpon" href="http://www.stumbleupon.com/submit?url=http://www.smashingmagazine.com/2010/01/28/color-theory-for-designers-part-1-the-meaning-of-color/">Stumble on StumbleUpon! | title="Tweet us!" href="http://twitter.com/home?status=@tweetmeme%20@smashingmag%20Reading%20'Color%20Theory%20for%20Designers,%20Part%201:%20The%20Meaning%20of%20Color'%20http://www.smashingmagazine.com/2010/01/28/color-theory-for-designers-part-1-the-meaning-of-color/">Tweet it! | title="Bookmark in Reddit" href="http://reddit.com/submit?url=http://www.smashingmagazine.com/2010/01/28/color-theory-for-designers-part-1-the-meaning-of-color/">Submit to Reddit | href="http://forum.smashingmagazine.com/">Forum Smashing Magazine
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Daily Search Forum Recap: January 27, 2010

Here is a recap of what happened in the search forums today, through the eyes of the Search Engine Roundtable and other search forums on the web.


Here is a recap of what happened in the search forums today, through the eyes of the Search Engine Roundtable and other search forums on the web.



Remove Pages From Google ~Forever Using a 410 Status Code

In October, we reported that Google treats a 410 stronger than a 404 status code. I am not sure exactly when Google made the 410 status code that important, but I believe it was sometime in October.

A new thread surfaced in Google Webmaster Help where it was suggested by a Googler to use the 410, once again.

Googler, Jonathan Simon said:

Last year we started started treating 410 Gone responses as being a stronger signal for indicating when a page no longer exists. So for the situation you describe (where 301 redirects aren’t practical) returning a 410 response is the way to go.

It seems to me that when Googlebot discovers a 410, it will communicate to Google to not index that page for a really long time. I believe Google will check pages they know to be 404ed every now and then. Maybe a 410 will tell Googlebot to never check back or check back extremely rarely?

Just keep in mind that the 410 is much stronger than a 404 response – it may come in handy in your future SEO projects.

Forum discussion at Google Webmaster Help.


In October, we reported that Google treats a 410 stronger than a 404 status code. I am not sure exactly when Google made the 410 status code that important, but I believe it was sometime in October.

A new thread surfaced in Google Webmaster Help where it was suggested by a Googler to use the 410, once again.

Googler, Jonathan Simon said:

Last year we started started treating 410 Gone responses as being a stronger signal for indicating when a page no longer exists. So for the situation you describe (where 301 redirects aren’t practical) returning a 410 response is the way to go.

It seems to me that when Googlebot discovers a 410, it will communicate to Google to not index that page for a really long time. I believe Google will check pages they know to be 404ed every now and then. Maybe a 410 will tell Googlebot to never check back or check back extremely rarely?

Just keep in mind that the 410 is much stronger than a 404 response – it may come in handy in your future SEO projects.

Forum discussion at Google Webmaster Help.



Where Did Bing’s Webmaster Support Rep Go? Brett Yount

As you know, I track the search marketing forums, including many of the official search engine forums, to find the latest breaking news and issues that are important to the community. I pay particular close attention to what the official search engine representatives say in these forums.

It appears that Brett Yount, the community lead at the Bing Forums and Program Manager of Bing Webmaster Center, has gone missing in action. His last post was 20 days ago, on January 7th in a Bing Community thread.

I know he may have recently said things he probably shouldn’t have. Did that lead to him being fired or replaced? I don’t know. I certainly hope not. Brett was a ray of sun for people like me, who like to see search reps who are honest, forthcoming and simply good people.

Brett – we miss you – please come back. There are tons of webmasters who need your help and guidance in the Bing forum.

Forum discussion at Bing Community.

Update: Bing Tweeted:

Brett’s taking some personal time off. Unrelated to forums, for the record ^az


As you know, I track the search marketing forums, including many of the official search engine forums, to find the latest breaking news and issues that are important to the community. I pay particular close attention to what the official search engine representatives say in these forums.

It appears that Brett Yount, the community lead at the Bing Forums and Program Manager of Bing Webmaster Center, has gone missing in action. His last post was 20 days ago, on January 7th in a Bing Community thread.

I know he may have recently said things he probably shouldn’t have. Did that lead to him being fired or replaced? I don’t know. I certainly hope not. Brett was a ray of sun for people like me, who like to see search reps who are honest, forthcoming and simply good people.

Brett – we miss you – please come back. There are tons of webmasters who need your help and guidance in the Bing forum.

Forum discussion at Bing Community.

Update: Bing Tweeted:

Brett’s taking some personal time off. Unrelated to forums, for the record ^az



Duplicate Content Between HTML & PDF Pages? Google Should Figure It Out

A Google Webmaster Help thread has discussion about a potential duplicate content issues between HTML and PDF documents. In this case, the content found on the HTML is the same as on the PDFs. Be it an automated “print as PDF” feature or manual download of the content in PDF format.

How does Google handle the duplicate nature of such content available on the web?

JohnMu at Google chimed in saying that in most cases, they will use the HTML file. He does recommend that in these cases, you block the PDFs from being crawled and indexed. But ultimately, he said, that is your call. Google will likely just want to keep the HTML version in their index.

John said:

If you have the same content in PDF as in HTML pages, in most cases we’ll probably show the HTML versions above (or in place of) the PDF versions. If this is a problem for your specific situation, I’d consider using the robots.txt or x-robots-tag to prevent the PDF files from getting indexed. I imagine for most sites this is not really a problem, so I wouldn’t suggest blocking indexing of PDF files without confirming that it’s really necessary.

The only situation where I would consider doing something in advance is when the CMS automatically creates PDF-copies of normal HTML pages. Generally speaking, this shouldn’t cause any problems, but those PDF versions are likely not compelling enough to merit getting indexed separately (and crawling them will possibly put a load on your server that you could avoid). Ultimately, it’s up to you to determine which content you wish to have crawled and indexed :-) — if you feel that PDF-copies of your content are compelling enough for users who search for your content, feel free to make them available.

Forum discussion at Google Webmaster Help.


A Google Webmaster Help thread has discussion about a potential duplicate content issues between HTML and PDF documents. In this case, the content found on the HTML is the same as on the PDFs. Be it an automated “print as PDF” feature or manual download of the content in PDF format.

How does Google handle the duplicate nature of such content available on the web?

JohnMu at Google chimed in saying that in most cases, they will use the HTML file. He does recommend that in these cases, you block the PDFs from being crawled and indexed. But ultimately, he said, that is your call. Google will likely just want to keep the HTML version in their index.

John said:

If you have the same content in PDF as in HTML pages, in most cases we’ll probably show the HTML versions above (or in place of) the PDF versions. If this is a problem for your specific situation, I’d consider using the robots.txt or x-robots-tag to prevent the PDF files from getting indexed. I imagine for most sites this is not really a problem, so I wouldn’t suggest blocking indexing of PDF files without confirming that it’s really necessary.

The only situation where I would consider doing something in advance is when the CMS automatically creates PDF-copies of normal HTML pages. Generally speaking, this shouldn’t cause any problems, but those PDF versions are likely not compelling enough to merit getting indexed separately (and crawling them will possibly put a load on your server that you could avoid). Ultimately, it’s up to you to determine which content you wish to have crawled and indexed :-) — if you feel that PDF-copies of your content are compelling enough for users who search for your content, feel free to make them available.

Forum discussion at Google Webmaster Help.



Google Reader Tracks Changes To All Web Pages: Tips on How to Block It

I live off RSS, live off of it. You don’t have an RSS feed, I don’t keep track of you. That is until Google Reader announced that they now can track changes to any web page out there (assuming they do not specifically block Google).

If the web page does not have an RSS feed, don’t worry. Take the URL, paste it into the subscription box at Google Reader and Google will create a custom feed out of the URL. It will then check the page for changes. How often will it check? Google doesn’t say, I assume it has to do with how often the page is crawled.

How is this useful?

  • Track product pricing changes on web sites
  • Track competitors web sites
  • Track terms of service or guideline changes
  • Track news feeds without them having a feed
  • Track anything!

There are other services that offer this type of service with even more features. However, it is nice to have them built into Google Reader.

A WebmasterWorld thread has feedback from Webmasters. In short, they do not like the opt out options. Either you block Googlebot completely from pages you do not want to be tracked, or you add a noarchive tag to the pages you do not want tracked. Noarchive will also remove the cache link in the Google search results. There is no specific tag to block only Google Reader from tracking changes to your pages – maybe there should be?

If you do not want to do any of these things and still do want to block Google Reader. Then set up an RSS feed and give that feed less content then you want. Google Reader should not override the auto-discover RSS feed and thus, it can stop people from tracking your pages.

Forum discussion at WebmasterWorld.


I live off RSS, live off of it. You don’t have an RSS feed, I don’t keep track of you. That is until Google Reader announced that they now can track changes to any web page out there (assuming they do not specifically block Google).

If the web page does not have an RSS feed, don’t worry. Take the URL, paste it into the subscription box at Google Reader and Google will create a custom feed out of the URL. It will then check the page for changes. How often will it check? Google doesn’t say, I assume it has to do with how often the page is crawled.

How is this useful?

  • Track product pricing changes on web sites
  • Track competitors web sites
  • Track terms of service or guideline changes
  • Track news feeds without them having a feed
  • Track anything!

There are other services that offer this type of service with even more features. However, it is nice to have them built into Google Reader.

A WebmasterWorld thread has feedback from Webmasters. In short, they do not like the opt out options. Either you block Googlebot completely from pages you do not want to be tracked, or you add a noarchive tag to the pages you do not want tracked. Noarchive will also remove the cache link in the Google search results. There is no specific tag to block only Google Reader from tracking changes to your pages – maybe there should be?

If you do not want to do any of these things and still do want to block Google Reader. Then set up an RSS feed and give that feed less content then you want. Google Reader should not override the auto-discover RSS feed and thus, it can stop people from tracking your pages.

Forum discussion at WebmasterWorld.



The Smashing Book: Already Got Yours?


  

Have you gotten your copy of The Smashing Book yet? If not, it may still be worth spending $29.90 for this printed book. The book shares technical tips and best practices on typography, usability, UI design, marketing and color usage. It contains interviews with high profile designers and developers. And you will also get a peek behind the curtains of Smashing Magazine. You can buy the book now, it is available and can be shipped right away! And you can also check more details about the book.

readers-3

Also, in this post we are giving away 35 exclusive Smashing Book Posters (folded, limited edition), and if you want to win one, just leave a comment on this post and tell us what you would do with it! So, let’s find out who are Smashing Magazine’s biggest fans? And we also have a new book chapter available for free download as PDF to serve as an appetizer.

width="650">
width="650"> style="width:650px;"> src="http://creatives.commindo-media.de/static/smashing-magazine-advertisement.gif" alt="Smashing-magazine-advertisement in The Smashing Book: Already Got Yours?" border="0" /> /> href="http://creatives.commindo-media.de/www/delivery/ck.php?zoneid=56" > src="http://creatives.commindo-media.de/www/delivery/avw.php?zoneid=56" border="0" alt=" in The Smashing Book: Already Got Yours?" />  href="http://creatives.commindo-media.de/www/delivery/ck.php?zoneid=63" > src="http://creatives.commindo-media.de/www/delivery/avw.php?zoneid=63" border="0" alt=" in The Smashing Book: Already Got Yours?" />  href="http://creatives.commindo-media.de/www/delivery/ck.php?zoneid=64" > src="http://creatives.commindo-media.de/www/delivery/avw.php?zoneid=64" border="0" alt=" in The Smashing Book: Already Got Yours?" />

Have you gotten your copy of The Smashing Book yet? If not, it may still be worth spending $29.90 for this printed book. The book shares technical tips and best practices on typography, usability, UI design, marketing and color usage. It contains interviews with high profile designers and developers. And you will also get a peek behind the curtains of Smashing Magazine. You can href="http://shop.smashingmagazine.com/smashingbook-dispatcher.php?utm_source=Smashing%2BMagazine&utm_medium=editorial&utm_content=Smashing%2BBook%20-%20January%20Post&utm_campaign=Smashing%2BBook%20-%20January%20Post">buy the book now, it is available and can be shipped right away! And you can also check href="http://www.smashingmagazine.com/2009/12/03/smashing-book-its-out-now/">more details about the book.

href="http://shop.smashingmagazine.com/smashingbook-dispatcher.php?utm_source=Smashing%2BMagazine&utm_medium=editorial&utm_content=Smashing%2BBook%20-%20January%20Post&utm_campaign=Smashing%2BBook%20-%20January%20Post"> class="alignnone size-full wp-image-19852" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/11/order-smashing-book-button.jpg" alt="Order-smashing-book-button in The Smashing Book: Already Got Yours?" width="461" height="286" />

Also, in this post we are giving away 35 exclusive Smashing Book Posters (folded, limited edition), and if you want to win one, just leave a comment on this post and tell us what you would do with it! So, let’s find out who are Smashing Magazine’s biggest fans?

Bonus: New Free Chapter Of The Book

Need an appetizer? Here are two free chapters of the Smashing Book (Chapter 1 was released a couple of months ago). You can download them as a PDF:

  • title="User Interface Design in Modern Web Applications (PDF)" href="http://media.smashingmagazine.com/cdn_smash/pdfs/sm-book-chapter1.pdf">Chapter 1: User Interface Design in Modern Web Applications
  • title="User Interface Design in Modern Web Applications (PDF)" href="http://media.smashingmagazine.com/cdn_smash/pdfs/sm-book-chapter7.pdf">Chapter 7: Design To Sell — Increasing Conversion Rates

Smashing Book Around The World

Many things have been happening with and around The Smashing Book in recent weeks. You must have read or heard that it would fall apart immediately upon being opened (okay, that’s a bit of an exaggeration). In fact, the pages loosened quickly, and the reading experience was anything but ideal (the adhesive binding was the culprit). The verdict from many users was thus: brilliant content, very poor binding. And yes, let’s face facts: we indeed did a poor job in our first attempt at offline publishing, but we are willing to learn from our experience and do it better the next time. In fact, the next time has already come.

We have thoroughly monitored the feedback and heard your complaints, which is why we have produced a Corrected Edition of the book, with stable, high-quality stitched binding. Nothing will fall apart here… guaranteed. And the price remains the same.

The release of the Smashing Book has been very exciting. We’ve seen many href="http://www.flickr.com/search/?q=smashing%20book&w=all">photos, href="http://www.vimeo.com/8191119">videos and even href="http://reallynattu.com/blog/the-smashing-book-in-pictures/">unboxing galleries. We have even seen the books being explored by cats, pancakes, cactuses and babies!

href="http://www.flickr.com/photos/40760010@N04/4219398229/"> class="alignnone size-full wp-image-26365" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2010/01/smashing1.jpg" alt="Smashing1 in The Smashing Book: Already Got Yours?" width="450" height="301" /> /> Photo by href="http://www.flickr.com/photos/40760010@N04/4219398229/">Remworks

href="http://twitpic.com/yszfo"> class="alignnone size-full wp-image-26365" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2010/01/smashing2.jpg" alt="Smashing2 in The Smashing Book: Already Got Yours?" width="450" height="338" /> /> Photo by href="http://twitpic.com/yszfo">Eddie Ebeling.

href="http://www.flickr.com/photos/julienbob/4255205342/"> class="alignnone size-full wp-image-26368" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2010/01/smashing4.jpg" alt="Smashing4 in The Smashing Book: Already Got Yours?" width="450" height="299" /> /> Photo by id="contextLink_stream38058561@N07" href="http://www.flickr.com/photos/julienbob/4255205342/">Julien Bob (the cat’s name is Monsieurbleu).

href="http://www.flickr.com/photos/daniellew/4285822709/in/set-72157601736628540/"> class="alignnone size-full wp-image-26368" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2010/01/smashing5.jpg" alt="Smashing5 in The Smashing Book: Already Got Yours?" width="450" height="301" /> /> Photo by id="contextLink_stream38058561@N07" href="http://www.flickr.com/photos/daniellew/4285822709/in/set-72157601736628540/">Danielle Wu.

A Word On The Shipping

We are of course not a postal service, and because we are located in Germany, we had to rely on the German postal service (Deutsche Post) to deliver the books to you. This usually works fairly well, but the first weeks in December certainly weren’t our preferred shipping time. Logistics companies were already busy with the Christmas season, and so delivery of our books went very slowly. And because we have been shipping the books worldwide, delivery times have varied significantly. No wonder it took as long as a couple of weeks for the books to be delivered, slowed down as they were by the holidays.

It’s truly astonishing what can happen to books when you ship a large number of them. There are hundreds of stories: the labels got messed up, damaged, loosened or stuck together; the book was delivered but is sitting in the apartment of a neighbor who has gone on vacation; the mail carrier delivered the book to the wrong house or misread the label; the label has a printing error; my address has changed; the book was left sitting in a delivery container; the postal service sent the book to the wrong state and is in the process of rerouting it; the book is being held up in customs. The list goes on and on. Every day we learn of a number of such cases. If you purchased your book a long while ago but still haven’t received it, please send your order details to our support team at orders@smashingmagazine.com. We’ll be in touch right away and will investigate.

Was It Worth The Wait?

Well, we can’t answer that question because we are obviously biased. But our readers and book reviewers can answer that question for us. Many book reviews are out there, sharing both positive and negative impressions. In our forum, murphyslaw has published a long, href="http://forum.smashingmagazine.com/book-topics-f53/a-smashing-book-review-part-1-t4515.html">very detailed review of every chapter of the book. What do other readers say? Here are a few snippets:

“The advice is pitched at what I would call intermediate-to-advanced level. It’s aimed at web designers, doesn’t include any coding details, and focuses on notions of good practice. Elegant solutions for common problems are offered on almost every page. The book has also been written by a group of professional designers – so they know what they’re talking about.” — href="http://www.mantex.co.uk/reviews/lennartz.htm">Roy Johnson

“The Smashing Book is a great, really great book for everybody who is interested in design and web-development. Especially the typography and learning from the experts chapters where inspirational resources to me. The content is great but I believe the layout of the pages should be as a book. Support the Smashing Magazine Book by ordering your copy and I hope SM will continue the concept of bringing the content by book.” — Sander Baumann, href="http://www.designworkplan.com/design/smashing-book.htm">Designworkplan

“The book is basically all of SM’s best articles condensed into a book. This is what you’d expect, as it would be hard to top what they have on the website already. The content is very detailed, perhaps even too much in some cases, but it is like a ‘bible of web design’ covering all the things you should know.” — href="http://www.leemunroe.com/the-smashing-book/">Lee Munroe

“I think the Smashing Book is a perfect book for web designers and developers of all levels, and I am excited that it lives up to the hype. It provides very comprehensive information that is both useful and essential for designers and developers who want to make the quailty of their websites improve.” — href="http://www.admixweb.com/2010/01/11/the-smashing-book-review/">admixweb

“I think the book is a great buy for the price. For all you people still waiting for it to be delivered, it’s worth it!” — href="http://www.thatdeadpixel.com/site/article/book_review_the_smashing_book/">ThatDeadPixel

“Overall, this is a great effort from the Smashing Team and all the authors. The book features good web design theory and many practical techniques backed up by real world examples in the form of colourful screenshots. This book will not become obsolete in the short term, and should be placed in everyone’s library. Overall score:  8.5/10 – A Smashing Book!” — href="http://www.hixdesign.com.au/blog/the-smashing-book-review/">Hixdesign

Please note that all errors and inaccuracies are being collected in the Errata, which can be found through our href="http://smashing-links.com/">Smashing List of Links (only a few errors have been found so far).

Buy The Book Now!

The Smashing Book is a printed book about best practices in modern Web design. The book shares technical tips and best practices on coding, usability and optimization and explores how to create successful user interfaces and apply marketing principles to increase conversion rates. It also shows how to get the most out of typography, color and branding so that you end up with intuitive and effective Web designs. And lastly, you will also get a peek behind the curtains of Smashing Magazine.

href="http://shop.smashingmagazine.com/smashingbook-dispatcher.php?utm_source=Smashing%2BMagazine&utm_medium=editorial&utm_content=Smashing%2BBook%20-%20January%20Post&utm_campaign=Smashing%2BBook%20-%20January%20Post"> class="alignnone size-full wp-image-19852" src="http://media.smashingmagazine.com/cdn_smash/wp-content/uploads/2009/11/order-smashing-book-button.jpg" alt="Order-smashing-book-button in The Smashing Book: Already Got Yours?" width="461" height="286" /> /> It’s a paperback: 313 pages, full-color images on coated paper, available worldwide. Free shipping to the US and Germany, and reduced shipping costs to other countries. 30-day 100% money-back guarantee. You can find more details about the book in the post href="http://www.smashingmagazine.com/2009/12/03/smashing-book-its-out-now/">Smashing Book: It’s Out Now!

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Daily Search Forum Recap: January 26, 2010

Here is a recap of what happened in the search forums today, through the eyes of the Search Engine Roundtable and other search forums on the web.


Here is a recap of what happened in the search forums today, through the eyes of the Search Engine Roundtable and other search forums on the web.



Google Paying AdSense Publishers Less & Less

Often when Google releases earnings, AdSense publishers try to extract how much share Google is paying them of the earnings. Ad you know, a publisher places an ad from Google on their site, the advertiser pays Google and then Google pays a share of that to the publishers. Looking at Google’s earnings, you can somewhat figure out how much share publishers make. Always, keep in mind, certain publishers likely get special arrangements.

Labnol posted the latest look at this share, showing that in the first quarter of 2009, Google paid an even 75% to the publishers. However, in the fourth quarter of 2009, that share dropped to 72.06%.

Here is a graph I made showing the decline in 2009:

Google AdSense Publisher Share

Here is the data:

Q1 ‘09 Q2 ‘09 Q3 ‘09 Q4 ‘09
Google AdSense Earnings (in billion) $1.64 $1.68 $1.80 $2.04
Google Payments to AdSense Publishers (in billion) $1.23 $1.24 $1.33 $1.47
Percent Given to Publishers 75.00% 73.81% 73.89% 72.06%

Forum discussion at DigitalPoint Forums.


Often when Google releases earnings, AdSense publishers try to extract how much share Google is paying them of the earnings. Ad you know, a publisher places an ad from Google on their site, the advertiser pays Google and then Google pays a share of that to the publishers. Looking at Google’s earnings, you can somewhat figure out how much share publishers make. Always, keep in mind, certain publishers likely get special arrangements.

Labnol posted the latest look at this share, showing that in the first quarter of 2009, Google paid an even 75% to the publishers. However, in the fourth quarter of 2009, that share dropped to 72.06%.

Here is a graph I made showing the decline in 2009:

Google AdSense Publisher Share

Here is the data:

Q1 ‘09 Q2 ‘09 Q3 ‘09 Q4 ‘09
Google AdSense Earnings (in billion) $1.64 $1.68 $1.80 $2.04
Google Payments to AdSense Publishers (in billion) $1.23 $1.24 $1.33 $1.47
Percent Given to Publishers 75.00% 73.81% 73.89% 72.06%

Forum discussion at DigitalPoint Forums.



Google Paying AdSense Publishers Less & Less

Often when Google releases earnings, AdSense publishers try to extract how much share Google is paying them of the earnings. Ad you know, a publisher places an ad from Google on their site, the advertiser pays Google and then Google pays a share of that to the publishers. Looking at Google’s earnings, you can somewhat figure out how much share publishers make. Always, keep in mind, certain publishers likely get special arrangements.

Labnol posted the latest look at this share, showing that in the first quarter of 2009, Google paid an even 75% to the publishers. However, in the fourth quarter of 2009, that share dropped to 72.06%.

Here is a graph I made showing the decline in 2009:

Google AdSense Publisher Share

Here is the data:

Q1 ‘09 Q2 ‘09 Q3 ‘09 Q4 ‘09
Google AdSense Earnings (in billion) $1.64 $1.68 $1.80 $2.04
Google Payments to AdSense Publishers (in billion) $1.23 $1.24 $1.33 $1.47
Percent Given to Publishers 75.00% 73.81% 73.89% 72.06%

Forum discussion at DigitalPoint Forums.



Often when Google releases earnings, AdSense publishers try to extract how much share Google is paying them of the earnings. Ad you know, a publisher places an ad from Google on their site, the advertiser pays Google and then Google pays a share of that to the publishers. Looking at Google’s earnings, you can somewhat figure out how much share publishers make. Always, keep in mind, certain publishers likely get special arrangements.

Labnol posted the latest look at this share, showing that in the first quarter of 2009, Google paid an even 75% to the publishers. However, in the fourth quarter of 2009, that share dropped to 72.06%.

Here is a graph I made showing the decline in 2009:

Google AdSense Publisher Share

Here is the data:

Q1 ‘09 Q2 ‘09 Q3 ‘09 Q4 ‘09
Google AdSense Earnings (in billion) $1.64 $1.68 $1.80 $2.04
Google Payments to AdSense Publishers (in billion) $1.23 $1.24 $1.33 $1.47
Percent Given to Publishers 75.00% 73.81% 73.89% 72.06%

Forum discussion at DigitalPoint Forums.



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